Bob Wills Tommy Duncan Together Again Date Released
| Tommy Duncan | |
|---|---|
 | |
| Background information | |
| Nativity name | Thomas Elmer Duncan |
| Born | (1911-01-xi)January eleven, 1911 Hillsboro, Texas |
| Died | July 25, 1967(1967-07-25) (aged 56) |
| Genres | Western swing |
| Occupation(south) | Singer-songwriter |
| Years agile | 1930s–1960s |
| Labels | Capitol |
| Associated acts | Bob Wills |
Thomas Elmer Duncan (January 11, 1911 – July 25, 1967),[1] was an American Western swing vocalizer and songwriter who gained fame in the 1930s equally a founding member of The Texas Playboys.[2] He recorded and toured with bandleader Bob Wills on and off into the early 1960s.
Biography [edit]
Early life [edit]
Duncan was born nigh Hillsboro, Texas, United States,[1] on a large farm into a big and impoverished family of truck farmers.[iii] He was one of 14 children. His most profound influences as a immature singer were Jimmie Rodgers,[1] Bing Crosby, Emmett Miller and other country and dejection musicians. He left abode at thirteen to sharecrop on a cousin's subcontract, and past 1932 was surviving equally a busker in Fort Worth singing at a root beer stand. That year he won an audience confronting 64 other singers to join the Light Chaff Doughboys, a popular local band which featured Bob Wills on fiddle.[1] Duncan was hired after he sang a version of Emmett Miller's "I Ain't Got Nobody" and impressed Wills with his yodeling power and bluesy phrasing. As was common at the time, the Doughboys appeared on a radio show under the sponsorship of a local business, in their example Calorie-free Crust Flour. Duncan quickly became a awareness, both on the prove and at dances and other appearances.
Bob Wills and The Texas Playboys [edit]
When bandleader Wills decided to form an contained band, he and Duncan became the creative core of The Texas Playboys.[i] Duncan was versatile in his singing style and repertoire, was credited with a fine vocalisation and range, and was ideal for the kind of dance music Wills performed and recorded. He sang everything from ballads and folk to pop, Tin Pan Alley, Broadway, blues and cowboy songs.
As a lyricist, he contributed to "New San Antonio Rose" (1940);[1] the recording, with Duncan on vocals, sold three million copies for Columbia Records. Duncan married, but after only a few years his wife adult cancer and died. Ironically, Duncan's first royalty cheque for "Time Changes Everything" was used to embrace her funeral expenses. Duncan presently set the standard for Western swing vocals. In California, he became friends with Bing Crosby when they stabled their horses together. A virtual "homo jukebox," Duncan memorized the lyrics and melodies to more than 3,000 songs. He was a master stylist with the ability to make each song sound as though he wrote it. Duncan was also a multi-instrumentalist who could play piano, guitar and bass.
After a decade of musical success, Duncan was the get-go member of Wills's band to volunteer for the war machine later the bombing of Pearl Harbor. His service lasted less than a year when he received a medical discharge and he rejoined Wills in 1944 equally the war neared its end.
He appeared with Wills and the other Playboys in several movies, including Bob Wills and His Texas Playboys (1944), Rhythm Roundup (1945), Blazing the Western Trail (1945), Lawless Empire (1945) and Frontier Frolic (1946). His voice matured in the eye to late 1940s. Duncan joined Wills in writing several more than numbers, including "New Castilian Two Step" (1945), "Stay A Little Longer" (1945), "Cotton-Eyed Joe" (1946) and "Emerge Goodin" (1947). One night in a bar visiting with songwriter Cindy Walker, Duncan motioned for her to look at a admirer sitting just a few tables abroad who was staring at his glass of beer. Duncan commented to her that he's only "watchin' the bubbles in his beer."[ commendation needed ] Instantly they both realized they had a song idea and "Bubbles in My Beer" became i of the staples of Western swing songs. Bated from "Faded Love", sung by Rusty McDonald, every Texas Playboys tape that was a hit featured Duncan on vocals, cementing his status as the finest vocalist Wills had.
Rumors nigh Duncan having been a heavy drinker were imitation; Duncan would only take a drink or two at social events and his blood brother Glynn stated that otherwise he never saw Duncan beverage even while they lived together in Fresno, California. Many band members considered him a troublemaker, but the accusations may have stemmed from professional jealousy. Duncan was admired past contemporaries including Tex Ritter, Tex Williams, Teddy Wilds, Hank Penny and Ole Rasmussen.
Later career [edit]
Past 1948, Wills' drinking was becoming too out of command for Duncan.[1] Wills oft missed shows, and when the headliner failed to appear, the band'due south pay reverted to marriage scale. After a cord of performances in 1948 without Wills, Wills overheard Duncan lament one night earlier a performance. Wills told guitarist Eldon Shamblin to "fire" Duncan, who set out to class his own band.
He organized another Western swing band chosen 'Tommy Duncan and His Western All Stars'[1] featuring his younger blood brother Glynn (1921–2013), a Western swing pioneer, on bass (who would later get Wills' lead vocaliser in the tardily 1950s). Another brother, Joe Duncan, was the lead vocalist for Johnnie Lee Wills' band for a period of time. At the height of the band'southward popularity, Duncan and the band fabricated an advent in the 1949 Western film, South of Death Valley, starring Charles Starrett and Smiley Burnette. Musical tastes were irresolute, even so, and attendance at the Western All Stars' dances ranged from fair to poor, certainly not plenty to sustain a large ring, which lasted less than two years.
From 1959 to 1961, Duncan again toured and recorded with Wills, rekindling much of their quondam success.[i] By this fourth dimension Duncan's voice had evolved to a mature mellow croon and he used it to the greatest effect. Simply when Wills began drinking, he once more left and made personal appearances with various bands. Wills' band never achieved the same greatness it had with Duncan, and Duncan'south solo efforts mostly paled in comparison to his Wills output. Although known for Western swing, Duncan enjoyed singing country hits of the 24-hour interval.
Death [edit]
Duncan, who had previous eye issues, died in his motel room in San Diego, California after a performance at Imperial Embankment on July 24, 1967.[four] The coroner'southward report said he was "lying...on the floor...Show victim had a middle condition, numerous pills for eye were institute among personal effects." He is buried almost Merced, California.
Legacy [edit]
Duncan's reputation was that of a unique and distinctive talent, a hillbilly Bing Crosby who never compromised his style to be more popular or commercial. On his own and with Wills, he was an influence on such artists as Elvis Presley, Jerry Lee Lewis, Ray Price, Willie Nelson, Waylon Jennings, Roy Orbison, Merle Haggard, Buddy Holly, Cerise Steagall, George Strait, Clint Blackness, Randy Travis, and Garth Brooks.
As a member of The Texas Playboys, he was inducted into the Rock and Scroll Hall of Fame as an Early Influence in 1999,[5] and was also inducted into the Texas Music Hall of Fame. Texas singer Billy Mata has released the Volumes I and II of a planned trilogy of tunes a tribute to Duncan entitled This Is Tommy Duncan. Glynn Duncan and his son Larry are among thousands of people who consider Duncan one of the most versatile vocalists of the 20th century.
Singles [edit]
| Year | Unmarried | US State |
|---|---|---|
| 1949 | "Gamblin' Polka Dot Dejection" | 8 |
Discography [edit]
- Texas Moon (Acquit Family unit BCD-15907, 1996) includes all 10 tracks recorded for Capitol Records, 2 tracks recorded for Natural Records, and 8 tracks recorded for Intro Records; plus 4 tracks recorded by 'Glynn Duncan & His Bar B Boys'.
- Below a Neon Star in a Honky Tonk (Bear Family BCD-15957, 1996) includes an boosted 24 tracks recorded for Intro Records.
- Dog House Blues (Jasmine JASMCD-3585, 2008) includes all 12 tracks recorded for Coral Records; as well included are v tracks by Bob Wills & His Texas Playboys and 7 tracks by Billy Jack Wills & His Western Swing Band.
References [edit]
- ^ a b c d e f g h i Colin Larkin, ed. (1993). The Guinness Who's Who of Country Music (Kickoff ed.). Guinness Publishing. p. 127. ISBN0-85112-726-6.
- ^ Goodspeed, John (December 7, 2016). "Baton Mata a crusader for unsung hero Tommy Duncan". San Antonio Express-News . Retrieved April 26, 2020.
- ^ Boyd, Jean A. (2010). We're the Light Crust Doughboys from Burrus Mill. University of Texas Printing. p. 39. ISBN978-0-2927-8322-5.
- ^ Hoover, Carl (January xiii, 2011). "Local tribute honors voice behind Bob Wills' biggest hits". Waco Tribune-Herald . Retrieved April 26, 2020.
- ^ Wishart, David J. (2004). Encyclopedia of the Bully Plains. Academy of Nebraska Printing p. 552. ISBN978-0-8032-4787-one.
External links [edit]
- History of Western swing bands
- The Handbook of Texas Online: Tommy Duncan
- Tommy Duncan at IMDb
Source: https://en.wikipedia.org/wiki/Tommy_Duncan
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